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Stephen Spielberg’s Reckless, Audacious “Disclosure Day”
Margaret is entirely aware of what she’s doing when she pulls off these empathetic maneuvers, but she remains oblivious to how she herself…
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thrillers
Style
The Heretical Energy of “Is God Is”
Night rarely falls on the harsh, sun-bleached world of Aleshea Harris’s film “Is God Is,” a revenge parable about the breaking, or the…
World
“No Other Choice” Eliminates the Competition with Style
Paper cuts are the worst. In “No Other Choice,” a new comic thriller from the South Korean filmmaker Park Chan-wook, You Man-su (Lee…
World
“A House of Dynamite” Is a Major Misfire from a Great Filmmaker
Little of this plays to Bigelow’s strengths. She has directed at least one screw-tightening nuclear-crisis movie before, the…
Style
“Cloud” Is a Cautionary Tale of E-Commerce—and the Summer’s Best Action Movie
Ryosuke Yoshii (Masaki Suda), the thirtysomething protagonist of the mesmerizing Japanese thriller “Cloud,” is never more content than…
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The Shrewdly Regenerative Apocalypse of “28 Years Later”
Perhaps because cannibalism comes with the territory, the zombie movie has proved uncommonly immune to a certain strain of critical…
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Style
“Babygirl” Never Really Makes a Mess
In November, the reality star and entrepreneur Kim Kardashian posted a series of images and videos to her social-media accounts, in which…