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Two Playwrights Tackle Father Figures
Still, the most remarkable performance at the Cherry Lane is by Peter Friedman, who plays the kind of father you rarely see in art: a good…
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Still, the most remarkable performance at the Cherry Lane is by Peter Friedman, who plays the kind of father you rarely see in art: a good…
“Rosencrantz and Guildenstern are Dead,” his 1966 Shakespearian meta-theatrical puzzle, about tertiary characters grappling with their…
In the late days of June, as the old theatre season was ebbing away and new-season announcements were rolling in, a shock hit New York.…