The Redemption of “Vanessa,” a Neglected Operatic Masterpiece
Samuel Barber’s 1958 opera was in disrepute for decades. A remarkable new production is the latest evidence of its rightful resurgence.…
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Samuel Barber’s 1958 opera was in disrepute for decades. A remarkable new production is the latest evidence of its rightful resurgence.…
In the director Yuval Sharon’s book “A New Philosophy of Opera,” he reflects on the plight of contemporary artists interpreting classic…
Gen Z Says is a bimonthly column chronicling the latest trends in the fashion-and-beauty space through the lens of Who What Wear's own Gen…
Perhaps Rigola should have been more willful in his handling of the text, since his libretto unfolds more like a selection of highlights…
Paul Smith and the Royal Opera House are decades-old neighbors, since the British designer opened his first London shop on Covent Garden’s…
Last Sunday, New York’s Metropolitan Opera celebrated not one, not two, but three openings. There was “Behind the Seams: Costuming the…
1. The beloved British polymath and broadcasting legend Melvyn Bragg, who joined the BBC in 1961, recently stepped down from his show “In…
Virginia Woolf, in her essay “The Lives of the Obscure,” savors the potential fascination of reading authors whom posterity has cast…
The Met Gala calls for glamour. An easy and sophisticated way to elevate a look is by adding opera gloves. If it’s traditional to pair…
In the wake of the murder of George Floyd, in 2020, and the cultural upheavals that ensued, classical-music organizations began including…
Jane Bua Bua writes about classical music for Goings On. Among the most notable opening lines in literature is undoubtedly that of Herman…
Can the art of opera ever escape the suffocating grip of its magnificent past? Judging from the striking array of contemporary works that…
Pablo Larraín’s new film “Maria,” the third in his trilogy of grandes-dames bio-pics (following “Jackie” and “Spencer”), is the best of…