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A Daring Show Remixes the Monuments of the Confederacy
The first thing you see is a horse’s ass, protruding, upside down, from the thorax of a monster. A man’s arm descends from the beast’s…
Richard Move Channels Martha Graham
The New York City shopping scene is nothing if not cyclical; trends have a sneaky way of slinking back, even after being declared dead for…
A Superbloom of Daring Theatre Hits New York
In Preston Max Allen’s “Caroline,” directed deftly by David Cromer, a onetime wild child, Maddie (Chloë Grace Moretz), reëngages with her…
Peter Matthiessen Travelled the World, Trying to Escape Himself
But it wasn’t until he arrived in Paris, during his junior year abroad, that he could truly nurture his bohemian streak. The city was…
V. R. Lang, a Forgotten Queen Bee of Modern Poetry
Candidly. The past, the sensations of the past. Now! in cuneiform, of umbrella satrap square-carts with hotdogs and onions of red syrup…
Misty Copeland’s Ballet Send-Off
Sometimes a return is also a farewell. Misty Copeland, the first Black female principal dancer at American Ballet Theatre, may be the most…
Man Ray’s Deadpan Wit on Display at the Met
“When Objects Dream,” the sensational Man Ray show at the Metropolitan Museum of Art (through Feb. 1), is centered on the artist’s refined…
Richard Brody’s New York Film Festival Picks
Sometimes names are misleading. Arabic numerals originated in India, Chinese checkers are German, white chocolate isn’t chocolate at all.…
Donald Doubles Down
© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
The Art of the Impersonal Essay, by Zadie Smith
If it were up to me, for example, I would very happily switch that rickety, always ill-fitting term “humanism” with something broader,…
The Metropolitan Opera Delves Into Comic Books
1. The beloved British polymath and broadcasting legend Melvyn Bragg, who joined the BBC in 1961, recently stepped down from his show “In…
In Philadelphia’s Calder Gardens, a Dynasty Comes Home
That’s meant to be remedied by Calder Gardens, a new institution taking shape in a half-buried berm on the Parkway, not far from that…
What I Wanted, What I Got
The popular girl at my elementary school—let’s call her Denise—was not blond like Barbie but pretty in a conventional manner I envied. She…
Brittany Howard and Alabama Shakes Return with Audacious New Music
The first thing Julio Torres says in “Color Theories” is to deny that he’s made an “Off Broadway play.” (His ponytail, curling overhead…
The Ministry of Joyce McDonald’s Sculptures
Terence Davies, who died in 2023, at the age of seventy-seven, is the most original modern British director. He was in his forties when he…
Red, White, and Bruised
© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
Local Gems: Cultural Institutions
On the occasion of our third centenary issue—this one culture-themed—we asked our writers to share one of their most treasured cultural…
Scenes from the “This Is Spinal Tap” Cutting-Room Floor
In 1982, I began shooting an almost entirely improvised film,“This Is Spinal Tap,” which also happened to be my first as a director. It…
Anthony Roth Costanzo Channels Maria Callas in “Galas”
Plus: the eclectic chaos of Haim, Trajal Harrell struts the catwalk at Park Avenue Armory, “Mamma Mia!” returns to Broadway, and more.…
Showdown in the Oval
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