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The Surrealist Blues Poet aja monet’s Jazzy New Album
Electronic The English singer, producer, and d.j. Nia Archives stands at the forefront of the modern U.K. rave scene, working primarily in…
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A Ten-Course Tasting Where Dessert Is the Whole Point
The Journey, which Lee débuted earlier this year, on Thursday evenings only, is something of a return to form for the chef. Before opening…
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Straight Outta Hormuz
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
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Andrew Yang Enters the Caption Contest
The politician tries his hand at captioning New Yorker cartoons. Source link
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Danny DeVito Enters the Caption Contest
The actor, producer, and director tries his hand at captioning New Yorker cartoons. Source link
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Sesame Street Enters the Caption Contest
Elmo, Big Bird, Cookie Monster, and Abby Cadabby try their hand at captioning New Yorker cartoons. Source link
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A Father’s Newfound Feminism
Elle Fanning Gets the Money Shot The Oscar-nominated actress discusses collaborating with Nicole Kidman, the art of playing a performer,…
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The Artist Who Made America Look Like a Promised Land
Church’s first important painting, completed in 1846, was “Hooker and Company Journeying Through the Wilderness from Plymouth to Hartford,…
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“Heated Rivalry” and Its Wine-Mom Fans Reunite
Plus: the radiant pop of MUNA, the visceral paintings of Juanita McNeely, a “Beaches” musical, and more. Source link
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How Long Can Martha Graham’s Dance Revolution Last?
At the heart of her method—then and now—is contraction and release. Imagine a breath is sharply expelled, hollowing out the core until the…
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The Many Forms of Marcel Duchamp
In 1905, Duchamp learned that, if he got certified as an essential “art worker,” his obligatory military service would be reduced from two…
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Oneohtrix Point Never’s Sense of the Uncanny
Broadway Even amid Broadway’s queer renaissance, Richard O’Brien’s “The Rocky Horror Show” stands out as a transgressive blast. Luke Evans…
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Happy Earth Day
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
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David Armstrong’s Probing Gaze
Sophisti-pop In 2005, when the singer Niia Bertino was seventeen, she was recognized as one of the top high-school jazz singers in the…
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Donald Trump, Bible-Thumper
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
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The Violence in Vermeer
As yet, archival research has failed to substantiate this conversation, although it appears, more or less intact, in the 2003 movie…
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Why I Wanted to Keep My Marriage a Secret, by David Sedaris
All these years later, I could still see their room so clearly: its dark, almost black wood panelling, their checkerboard-tiled floor. It…
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A Lesson of Vietnam: Getting in Is Easier than Getting Out
The war was sustained by a seductive delusion: that an unwinnable conflict might still be managed into an outcome short of humiliation.…
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Isa Genzken Finds Chaos in Order
Also: Raye’s ambitious new album, Nathan Lane’s Willy Loman, Dance Theatre of Harlem’s seminal “Firebird,” and more. Source link
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It’s Déjà Vu All Over Again
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
