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Raymond Depardon’s Documentary Confrontations with Power
The Giscard movie, “A Day in the Country” (“1974, une partie de campagne,” a pun: also “A Day in the Campaign”), set a definitive tone for…
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The Giscard movie, “A Day in the Country” (“1974, une partie de campagne,” a pun: also “A Day in the Campaign”), set a definitive tone for…
Melodrama isn’t central to modern French cinema, because melodrama is rooted in irony, whereas one could hardly slip a playing card…
Fully half of the best films ever—from Charlie Chaplin’s to Claude Lanzmann’s—are replete with cinematic selfies. Yet they are rare over…