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L&L Hawaiian Barbecue Brings New Yorkers the Plate Lunch
There’s something almost ritualistically precise about the Hawaiian plate lunch. A scoop of pale macaroni salad, almost quietly radical in…
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Bartees Strange’s Interior Hauntings
I consumed the nineties Black horror films of my youth largely through my fingers, spreading them just wide enough, occasionally, to put a…
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Faith Ringgold’s Message of Hope
Hilton Als Staff writer In 1971, the painter, quilter, and children’s-book author Faith Ringgold went to prison. She was not incarcerated;…
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Reëxamining Romantic Tropes with the Ripped Bodice
In 2016, Leah Koch and her sister Bea Hodges-Koch opened the Ripped Bodice, a romance bookstore, in Los Angeles. Since then, the genre has…
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Elon Musk’s A.I.-Fuelled War on Human Agency
Not long ago, the American public could have been forgiven for thinking of Elon Musk’s vaunted Department of Government Efficiency (DOGE)…
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The Nocturnal Masterwork “Toute Une Nuit” Comes to Light
When Chantal Akerman’s “Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles”—proclaimed the best film of all time in Sight and Sound’s…
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The L.A. Chefs Keeping Their Neighbors Fed
On the Tuesday morning in January when Los Angeles began to burn, the Santa Ana winds whipped hard at Courtney Storer’s driveway gate, at…
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The Art of the Crossword
How do you build a crossword? In this hour-long seminar, the puzzle constructors Natan Last and Robyn Weintraub provide a hands-on guide,…
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Fifty Weird Years of “Saturday Night Live”
It is customary for a person in a situation like mine—preparing to hold forth on “Saturday Night Live”—to divulge which performers would…
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Rea Irvin’s “Eustace Tilley” at One Hundred
A hundred years ago, The New Yorker emerged from the Jazz Age dreams of two young journalists, Jane Grant and Harold Ross. Fresh from…
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An Arachnophobe Pays Homage to the Spider
Back in my footloose twenties, I lived for a year in Costa Rica, where I worked at a school in the central highlands and worked even…
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An Academic’s Journey Toward Reporting
Early in Ian McEwan’s novel “Atonement,” from 2001, a young girl sits on the floor, considering how strange it is to have a body. She…
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The Old-School Heroics of “The Pitt”
On paper, Pittsburgh Trauma Medical Center’s emergency room—the setting of the new Max drama “The Pitt”—is the kind of place you wouldn’t…
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Finding a Home Among the Punks
Gail Butensky’s photographs of alternative and punk rockers, now on show at I.C.P., find poignancy in the scene’s dissonance. Source link
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Independents’ Days: Standouts from Sundance 2025
I’ve never been to Park City, Utah, where the Sundance Film Festival takes place, but for years I’ve been going to Sundance in New York,…
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Goings On Turns a Hundred
Shauna Lyon Editor, Goings On In anticipation of the hundredth anniversary of The New Yorker, I’ve been looking back at old issues,…
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Abel Tesfaye Says Goodbye to the Weeknd
Abel Tesfaye, the Canadian singer who performs as the Weeknd, is perhaps his generation’s most committed self-mythologist. Early in his…
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Giorgio Morandi Tried to Fit the World on a Table
As genres go, Italian still-life painting isn’t a ghost town, exactly, but it evokes more than its share of dust and tumbleweeds. It’s…
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The Frustrated Promise of the Rape Kit
In 1975, a rape victims’ advocate named Linda Reinshagen shared a story with a reporter from the Chicago Tribune. A man on the South Side…
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Lessons for the End of the World
I’d like to think that Nikki Giovanni would have forgiven me for misleading the seemingly oblivious white proprietor of a small bookshop…
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“Eusexua,” the Dance-Floor Album That Doesn’t Need Berlin or Prague
This past fall, the artist FKA Twigs promoted her then forthcoming album, “Eusexua,” with a series of international raves. Londoners were…
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“Mo” ’s Urgent, Uneven Homecoming
The first episode of Netflix’s larkish dramedy “Mo” reveals exactly what its title character, Mohammed Najjar, is capable of. He’s camped…