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The New Studio Museum in Harlem Shows that Black Art Matters
I had to wait for the next generation—my older sister—to break through that uncertainty and introduce me to the political, social, and…
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The Ancient Roots of Doing Time
Tales of ancient incarceration, which might once have seemed the stuff of legend, turn out, again and again, to have an archeological…
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Will Geese Redeem Noisy, Lawless Rock and Roll?
On a recent Friday night, the indie-rock band Geese—which formed in New York City in 2016, when its members were still a couple of years…
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And Your Little Dog, Too, by David Sedaris
“He just bit me!” I said. The woman stood upright and pushed her hair away from her face. She was pretty except for her mouth, which was…
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At the New Babbo, It’s Batali Minus Batali
On my first visit to the original Babbo—God, it must have been twenty years ago—I remember being stunned at my first bite of the…
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Olga Tokarczuk Recommends Visionary Science Fiction
The Nobel Prize winner Olga Tokarczuk’s fiction is known for its interest in the porosity of boundaries—between nations, between…
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A Greenlandic Photographer’s Tender Portraits of Daily Life
The stark Greenlandic landscape is a persistent presence in Storch’s photos, and low, horizontal sunlight is everywhere. In one of…
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“The Beast in Me” Is at War with Itself
Aggie Wiggs, a famous Pulitzer Prize-winning writer, is living in a home that is far too big for her in Oyster Bay, a wealthy enclave on…
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How “The New Yorker at 100” Got to Netflix
COBB: Well, I’ll ask you the question that I use when I conclude any interview with any subject, which is: Is there anything that we…
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The Best Films of 2025
This year’s best movies feel plugged in, inextricably connected to forces bigger than the ordinary faces of local and private…
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Guanyu Xu’s Powerful Photographs of Immigration Limbo
Also: Alvin Ailey’s annual City Center residency, the D.I.Y. virtuoso Jay Som, Alexandra Schwartz’s Shakespeare-movie picks, and more.…
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Samuel Beckett on the Couch
Bion, who was born in 1897, in Muttra, India, to a European father and an Anglo-Indian mother, moved to England for boarding school at age…
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“Train Dreams” Is Too Tidy to Go Off the Rails
In Clint Bentley’s adaptation of a Denis Johnson novella, Joel Edgerton plays a builder of bridges who finds himself increasingly cut off…
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Does Olivia Nuzzi Make Good Copy?
In addition to not being a tell-all, “American Canto” is not a book about Trump, nor is it about politics, as Nuzzi establishes in an…
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What Makes Goethe So Special?
On his return to Frankfurt, he found it: the life of Götz von Berlichingen, an early-sixteenth-century knight with a prosthetic iron hand,…
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Klaas Verplancke’s “White House of Gold”
For the cover of the December 8, 2025, issue, the cartoonist Klaas Verplancke wanted to capture how, as he put it, “shiny gold pales in…
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Tim Robinson Finds Humanity—and Tests It—in “The Chair Company”
In this outline, “The Chair Company” could be a sketch premise: “guy loses it after embarrassing himself at a big meeting.” This was the…
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Tom Stoppard’s Radical Invitation
“Rosencrantz and Guildenstern are Dead,” his 1966 Shakespearian meta-theatrical puzzle, about tertiary characters grappling with their…
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How Noah Baumbach Fell (Back) in Love with the Movies
It was somewhere on a deserted highway in Ohio at about 4 A.M., with a rain machine, while I was shooting “White Noise.” I think I felt,…
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The Offices Only a Newsperson Could Love
There is something inspiring about an ugly building. I don’t mean high-concept ugly, like a brutalist tower, but rather a place that’s…
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My Mother’s Memory Loss, and Mine
My cat, Harriet, is curled up on the TV console when I walk into the living room. She blinks at me, slowly. Cats blinking at you is…
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God Bless “A Christmas Carol,” Every One
There is a street in Naples, Via San Gregorio Armeno, where you can find shop after shop presided over by artisans whose specialty is…
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“Landman” Goes Down Like a Michelob Ultra
Oil and masculinity: both are oftentimes crude, both are considered toxic in the twenty-first century. So it only makes sense that the two…