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In “Kontinental ’25,” a Guilty Conscience Isn’t Enough
Jude will soon do just that. Ion has been squatting in the basement of an apartment building, which is set to be levelled to make way for…
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“Jury Duty Presents: Company Retreat” and Age of the Prestige Prank Show
Three years ago, the quasi-scripted comedy “Jury Duty,” an unassuming offering on the now defunct streaming service Freevee, became a…
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Marie Antoinette-Era Fashion Plates
Also: Daniel Radcliffe stars in “Every Brilliant Thing,” Robert Plant sings roots folk in a cathedral, a soulful retrospective of Beuford…
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The Unseen Work of One of Iran’s Greatest Filmmakers
For the director Mani Haghighi, his country’s rich cinematic tradition is a family affair. Source link
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The BTS Machine Lurches Back to Life
Ten years ago, outside of Korea and Japan, fans of acts like BigBang and Loona were often seen as members of a fringe subculture. Not so…
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Trump Goes Postal
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
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The Astonishing Lessons of a Sperm-Whale Birth
When sperm-whale calves are born, weighing about a ton, they are pretty helpless. They can’t immediately swim—their flukes are bent from…
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The Soft Power of BTS
The mega-popular K-pop stars have been on hiatus for nearly four years. Their new album, “Arirang,” tests the group’s staying power in the…
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Liza Minnelli’s Uncharacteristic Pivot to Self-Disclosure
This sounds remarkably unlike something a real human might say, but then sounding like a human has never been Minnelli’s strength. In an…
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Why You Hate Your Weather App
In March, we expect mercurial weather—intrat leo, exeunt agnus—but this March has taken things to an extreme. In Washington, D.C., where I…
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Michael Ian Black Enters the Cartoon Caption Contest
The actor and comedian tries his hand at captioning New Yorker cartoons. Source link
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Engels in the Outfield
A radical history of the Mets insists that baseball can still be the people’s game. Source link
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A “Baritenor” Soars in “Tristan und Isolde”
In Act I, the stage picture is cluttered, the meaning unclear. This is an all too familiar issue at the modern Met, which, under the aegis…
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Roz Chast’s “City Beasts”
Throughout the past year, the cartoonist Roz Chast has been obsessively working with block printing, taking as much pleasure in the…
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Under the Influence at the Whitney Biennial
Although Sula Bermúdez-Silverman’s simultaneously austere and sensual handblown glass sculptures—which are light-bulb-shaped and affixed…
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How Bad Is Plagiarism, Really?
From ancient Rome to the era of A.I., people have prized originality, but the line where influence ends and cribbing begins is notoriously…
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New York’s Finest Sandwich
The alchemy of any given sandwich is both specific and forgiving. Its stacked ingredients merge and mingle—you can swap out this or that,…
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Sofia Coppola Stays in the Shallow End with the New Marc Jacobs Documentary
In the show notes handed to audience members at Marc Jacobs’s Fall/Winter 2026 presentation, at New York’s Park Avenue Armory in early…
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China’s Shifting Relationship to the Countryside
Most of the way up the Jade Dragon Snow Mountain, which rises to a height of more than eighteen thousand feet, in southwestern China’s…
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My Parents Were Both Dying. Then I Found Out I Had Cancer
Everything took on a sickening poignancy: the boisterous din at our Saturday brunch place where, just a week before, my girlfriends and I…
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“Two Prosecutors,” “Palestine ’36,” and the Tribulations of Resistance in the Thirties
By the time Kornev is finally ushered into the cell of Stepniak (a mesmerizing Aleksandr Filippenko), there’s no sense of triumph or even…
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Remembering Calvin Tomkins, a Master of the Profile
Until the very end, our friend and colleague Calvin Tomkins looked at his life with a sense of wonder and bemusement. He died on Friday at…