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Tomer Hanuka’s “Spring Salutations”
For the cover of the May 4, 2026, issue, the artist Tomer Hanuka portrayed one particular delight of spring. “Everything synchs up—not…
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Helen, Help Me: How to Recalibrate Your Kitchen
I think of myself as a good cook. I host dinner parties regularly, and I successfully tackle ambitious recipes. But for some reason I…
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The Death of Afrika Bambaataa and the Afterlife of Hip-Hop
The man who was called the “godfather of hip-hop,” and who took full license from that status, is dead. Afrika Bambaataa passed away in…
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A.I. Is Making Influencing Even Faker
The virtual influencer is not, strictly speaking, new. In 2016, a C.G.I. avatar named Lil Miquela appeared on Instagram, presenting as an…
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Inside the World-Conquering Rise of the Micro-Drama
The regretful colonel in “Silent Ex-Wife” is played by Ben Whalen, a thirty-eight-year-old actor from New York. In the fall of 2023, after…
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“Half Man” Tests the Limits of Brotherly Love
Richard Gadd’s follow-up to “Baby Reindeer” traces a decades-long quasi-familial relationship that’s thornier than any other male bond on…
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“DTF St. Louis” Is a Story of Platonic Masculine Love
The show exists in a strange world where men repeatedly confess their love for each other. Does it make them better people? Source link
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Oneohtrix Point Never’s Sense of the Uncanny
Broadway Even amid Broadway’s queer renaissance, Richard O’Brien’s “The Rocky Horror Show” stands out as a transgressive blast. Luke Evans…
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“Michael,” Reviewed: A Sanitized Bio-Pic That’s All Business
In bed afterward, recovering from his father’s assault, Michael reads an illustrated Peter Pan book in which a drawing of the villainous…
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A Literary Wunderkind’s Best-Selling Nostalgia
“Lázár” moves quickly, scarcely leaving readers time to settle into one moment before whisking them off to the next. How else could it…
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What Will It Take to Get A.I. Out of Schools?
The message from the White House—and, often, from tech companies and public schools—is that Figure 03 and its A.I. militia are…
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Happy Earth Day
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
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Gwendoline Riley’s New Novel Surveys the Wreckage of Middle Age
That repeated “nothing” is surely a deliberate echo of the “ ‘Nothing?’ ‘Nothing.’ ” in “King Lear,” when Lear beseeches each of his three…
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How the Kardashians Became Flesh-and-Blood Memes
Corey charts the many different pop-cultural archetypes that the Kardashians, and Kim in particular, have played with through the years,…
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The History of Jazz Has Instantly Expanded
Like just about every major tenor saxophonist of his generation, Henderson was influenced by Coltrane, but Henderson absorbed that…
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The Minnesotans Who Wanted to Be in “Purple Rain”
In 1983, the photographer Tom Arndt heard about something interesting happening in the parking lot of a Holiday Inn: a casting call for…
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What Comes After the Live Nation-Ticketmaster Antitrust Ruling
Gallagher’s profane monologue went viral on account of its absurdity—four people on payroll to brew a single cup of tea? But the rocker’s…
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Donald Trump’s Triumphal Arch and the Architecture of Autocracy
The latest in the Trumpite series of proposed oversized buildings—the previous one being a ballroom where the East Wing of the White House…
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The Thrill of Picture Books That Let Kids in on the Joke
If you’ve ever been on the receiving end of a five-year-old’s withering “You are not the boss of me” (having caused offense by, say,…
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Christoph Niemann’s “West Fourth”
For the cover of the April 27, 2026, issue, the artist Christoph Niemann depicted a beloved spot in the West Village. “I spent my youth on…
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In Defense of the Moderate
In an era that prizes passion, “reasonableness” gets caricatured as political cowardice or bloodless neutrality. A new book says it’s…
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The Novelist Reimagining the Japanese American Internment
The United States began allowing Japanese people to leave the camps before the conclusion of the Second World War. In December of 1944,…