World
On “I’m the Problem,” Morgan Wallen Goes Back to God’s Country
Morgan Wallen is a country singer, almost defiantly so, though he is also popular on a scale that seems to circumvent genre entirely. Each of Wallen’s past two albums...
“Overcompensating” Is a New Kind of Coming-Out Comedy
Benny Scanlon, the protagonist of the new comedy “Overcompensating,” is the kind of boy mothers don’t know to warn their daughters about. Tall, handsome, and polite, Benny—played by Benito...
When a Writer Takes to the Stage
Writers who contemplate going onstage tend to fall into two camps: those who know better and those who should but don’t. Of the second kind, The New Yorker has,...
In “Jetty,” a Grand Infrastructure Project Becomes Both Visually and Politically Compelling
The algorithm has been feeding me industrial-strength A.S.M.R.: short videos of computer-controlled lathes, in extreme closeup, doing elaborate milling of wood or metal rods. Sam Fleischner’s modest yet ambitious...
Our Favorite “Only in New York” Spots
“Only in New York” may be a cliché, but only because it’s so true. For Goings On, in our New York-themed centenary issue, we asked staff writers to share...
Rediscovering a Great Film Critic of Hollywood’s Golden Age
Sometimes there’s light at the end of the rabbit hole. When Josef von Sternberg’s film “The Devil Is a Woman,” from 1935, was recently screened, I was curious about...
How Cory Arcangel Recovered a Late Artist’s Digital Legacy
In 2002, the thirty-five-year-old, Luxembourg-born painter Michel Majerus was on a short flight from Berlin, where he lived, to his native country, when the plane crashed, killing him and...