World
A.I. Is About to Solve Loneliness. That’s a Problem
There’s real reason for caution here, starting with the idea that interactions with A.I. can be treated as genuine relationships. Oliver Burkeman exasperatedly writes that, unless you think the...
A Memoir of Working-Class Britain Wrings Playfulness from Pain
The escape from working-class life has good narrative pedigree, a classic form—beginning with the idea of escape itself. It’s something like a sharpened bildungsroman. The child is nudged forward...
Teaching Men Who Will Never Leave Prison
It’s 2018. I am, for the first time, in a classroom at Great Meadow Correctional Facility, in Comstock, New York, a men’s maximum-security state prison. There are sixteen students...
Carrie Brownstein on a Portrait of Cat Power by Richard Avedon
Listen and subscribe: Apple | Spotify | Google | Wherever You ListenSign up for our daily newsletter to get the best of The New Yorker in your inbox.For The...
An Adolescent Crush That Never Let Up
John Updike’s professional relationship with The New Yorker began in 1954, when he was twenty-two and the magazine published his poem “Duet, with Muffled Brake Drums,” but his personal...
Package Tracking Takes a Dark Turn in “Paper Towels”
When an online order goes missing, employees are often blamed. But how should they be punished? Now premium users get to decide. Source link
“Hot Spot,” by Nora Lange
He called. She answered. He was her only sibling. He’d paid to have someone deliver her citrus so that she could avoid scurvy. Source link
The Simplistic Moral Lessons of “Superman”
The world may be going to hell, but the writer and director James Gunn has graced it with a sunshine “Superman.” The most recent installments in the franchise—Zack Snyder’s...
Amy Bloom’s Favorite Family Novels
Amy Bloom’s latest novel, “I’ll Be Right Here,” tells the story of a single family across more than eight decades. The span of the book renders it, almost by...
A Quietly Subversive Novel About Renewal on the Italian Riviera
Recognizing oneself as one really is and not as one appears to others is the major theme of Elizabeth von Arnim’s work. Von Arnim, an Australian brought up in...
