World

Should We Look on New Technologies with Awe and Dread?
The inevitable progress of technology, in other words, makes the technological sublime elusive. And it’s also true that technologies tend to shrink themselves, taking on unassuming guises. (“Technologies tend...
The Towering Musical Integrity of Christoph von Dohnányi
In September, 1943, a thirteen-year-old German boy named Christoph von Dohnányi wrote an innocuous-seeming letter to his uncle Dietrich:Uncle Klaus is planning to come tomorrow. Hopefully, it will happen....
Christoph Niemann’s “Market Shift”
For the cover of the October 27, 2025, Money Issue, the artist Christoph Niemann set out to visualize how the preposterously rich pay a disproportionately small share of taxes....
A Dark Ecologist Warns Against Hope
The two have sparred before. In 2009, they exchanged public letters in the Guardian, circling a question that nags at many eco-minded Westerners: What, in practice, can one do?...
What Do We Want from Our Child Stars?
Still, Master Betty ruled the little province of Parnassus devoted to underage thespians until the advent of Shirley Temple—and it’s some measure of her talent, or maybe of her...
The Real Housewives of Moscow
A trained observer of psychology, Alina had made careful note of the strategies that seemed to work for these gazelle-like young women. For example: “A man values a woman...
A Bona-Fide Disco Album That Feels Urgently of the Moment
Many of the paired dances of the twentieth century—the foxtrot, the waltz, the Lindy Hop—reflected the binary gender dynamics of the day: men led and women followed, on the...
Richard Linklater on His Two New Films, “Blue Moon” and “Nouvelle Vague”
Listen and subscribe: Apple | Spotify | Google | Wherever You ListenSign up for our daily newsletter to get the best of The New Yorker in your inbox.Richard Linklater...
The Lessons of “The Perfect Neighbor”
“The Perfect Neighbor” chronicles how Lorincz, in her attempts to turn law enforcement against members of her own community, managed only to unite the two groups in shared disgust....
A Superbloom of Daring Theatre Hits New York
In Preston Max Allen’s “Caroline,” directed deftly by David Cromer, a onetime wild child, Maddie (Chloë Grace Moretz), reëngages with her estranged mother, Rhea (Amy Landecker)—the penitent young woman...