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The Afterimage of Arlene Croce
Arlene Croce, who wrote the Dancing column in The New Yorker from 1973 to 1996, died on December 16th, at the age of ninety. She was a towering figure,...
Critics at Large Live: The Year of the Flop
Download a transcript.Listen and subscribe: Apple | Spotify | Wherever You ListenSign up to receive our weekly cultural-recommendations newsletter.2024 in ReviewNew Yorker writers reflect on the year’s highs and...
NBA Salary Rankings 2024
Hey there, basketball fans! The NBA salary rankings for 2024 are out, and they’re as eye-popping as ever. From seasoned legends to fresh faces, the league’s top earners are...
How Much Americans Spend on Fireworks
Ever wonder just how much folks in the U.S. splash out on fireworks? With the Fourth of July being a massive deal, it’s no surprise that fireworks sales are...
The “Nickel Boys” Director RaMell Ross on Making the Most Haunting Scene
RaMell Ross walks us through a pivotal scene in his début fiction feature, “Nickel Boys,” an adaptation of the novel by Colson Whitehead. Ross has spent years honing his...
Luca Guadagnino’s Fascination with the Bourgeoisie
Though perhaps best known for their portrayals of desire, Luca Guadagnino’s character-driven dramas, from “Challengers” to “Call Me by Your Name,” also evince an abiding preoccupation with the customs...
The Best Films of 2024
The two most daring and accomplished American movies of the year are also, at first glance, the most dissimilar. RaMell Ross’s “Nickel Boys,” stunningly drawn from Colson Whitehead’s Pulitzer...
The Artist Exposing the Data We Leave Online
Before social networks became the de-facto place for logging mundane moments from our lives, Apple’s iPhone and iPod Touch incorporated a feature that let users send footage they’d filmed...
Black Friday Spending by Category
Black Friday is that time of year when everyone seems to lose their minds over sales. It’s like a shopping frenzy, with folks lining up at stores or clicking...
The Top Twenty-five New Yorker Stories of 2024
The editor of The New Yorker, David Remnick—my boss—likes to say that what we do at the magazine is “weird.” What he means is that it can be hard...
