Style

From Life in Prison to the Eras Tour
Still, over time, I earned a reputation. “Joe’s straight,” guys would say, with some mix of mockery and begrudging respect. The prison system assigned each of us a security...
Instant IP Strategies for Inventors to Prevent Intellectual Property Risk
To create a new invention is a significant accomplishment, but such achievements are often swept aside by a lack of intellectual property (IP) protections. Inventors tend to rush the...
The Making of “Adaptation”
I didn’t keep close track of what was going on with “Adaptation,” because I was busy with my own work and, frankly, I didn’t expect much to come of...
Art and Life in Richard Linklater’s “Blue Moon” and “Nouvelle Vague”
Leave it to Richard Linklater to see how, in art, the fundamental things apply. In his two new movies—“Blue Moon,” about the lyricist Lorenz Hart, and “Nouvelle Vague,” about...
Misty Copeland’s Ballet Send-Off
Sometimes a return is also a farewell. Misty Copeland, the first Black female principal dancer at American Ballet Theatre, may be the most famous American ballerina of her generation,...
László Krasznahorkai and Contemporary Europe’s Perilous Reality
In 2011, I wrote that reading László Krasznahorkai “is a little like seeing a group of people standing in a circle in a town square, apparently warming their hands...
The Safe Space of “Good Hang with Amy Poehler”
Amy Poehler may be the most-liked woman in Hollywood. Her latest project, the mega-popular podcast “Good Hang with Amy Poehler,” certainly encourages that impression. It’s perhaps her biggest platform...
Who is the CEO of Verizon?
Do you have Verizon? If you have never heard of it or live under a rock, Verizon is a well-known telecommunications brand used by millions of people worldwide. But,...
The Virtuosic Maternal Freakout of “If I Had Legs I’d Kick You”
“If I Had Legs I’d Kick You,” a nerve-shredding dark comedy from the director and screenwriter Mary Bronstein, is the latest and surely most exhaustive iteration of an idea...
The Real Battle of “One Battle After Another”
A first viewing of Paul Thomas Anderson’s “One Battle After Another” mainly sets up the pleasure of seeing it again. The movie, which runs two hours and forty-one minutes,...