Style
A Lesson of Vietnam: Getting in Is Easier than Getting Out
The war was sustained by a seductive delusion: that an unwinnable conflict might still be managed into an outcome short of humiliation. Source link
“Blue Heron” Is an Exalted Drama of Troubled Childhood
The movie’s fluid observational construction conjures drama by compounding micro-incidents; its narrative emerges from the shaping of young Sasha’s inchoate sensibility as she observes the troubles that surround her....
Elle Fanning Gets Maternal
The Oscar-nominated actress discusses collaborating with Nicole Kidman, the art of playing a performer, and her new series, “Margo’s Got Money Troubles,” in which she stars as a single...
Mad About the Mandolin
Calace, I discovered, was a Neapolitan workshop that had been making mandolins since 1825, and Raffaele Calace, the grandson of the founder, had been the greatest composer for mandolin...
“Exit 8” Is a Video-Game Adaptation That Ingeniously Subverts Its Source
The rules of this netherworld announce themselves, early on, via a nondescript wall sign. “Do not overlook any anomalies,” it says. “If you find an anomaly, turn back immediately.”...
Isa Genzken Finds Chaos in Order
Also: Raye’s ambitious new album, Nathan Lane’s Willy Loman, Dance Theatre of Harlem’s seminal “Firebird,” and more. Source link
“Big Mistakes” Is a Crime Show for the Girls and the Gays
At the start of the new comedic thriller “Big Mistakes,” the lives of Nicky Dardano (Dan Levy), a quasi-closeted pastor, and his sister Morgan (Taylor Ortega), an elementary-school teacher,...
It’s Déjà Vu All Over Again
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate...
A Reading List from the Director of the Noguchi Museum
In 1986, Amy Hau started working with the Japanese American artist, designer, and architect Isamu Noguchi as an assistant at his studio complex, in Long Island City. In 2024,...
The Patron Saint of Oddballs and Delinquents
The New Orleans writer Nancy Lemann conjures scenes of booze-soaked calamity, where everyone and everything is on the verge of rot. Source link
