Style
Why a Woman Would Rather Love a Statue Than a Man
As Venus educates Rika in the art of self-possession, we are only moderately surprised when Rika informs us, “I was in love with the marble goddess.” When she abruptly...
Martin Parr’s Eye for Human Folly
Martin Parr, who died in December, at the age of seventy-three, had a specific paint color in mind for the first room of “Global Warning,” a retrospective of his...
“How to Get to Heaven from Belfast” Is an Ode to Middle-Aged Friendship
In Lisa McGee’s show “Derry Girls,” about a group of teen-agers growing up in Northern Ireland during the Troubles, the threat of violence—in the form of car bombings and...
Eugène Atget’s Epic Record of Time and Place
Through his conversations with artists, he learned that they sometimes used photographs as source materials. Atget decided to provide those source materials. He rose early to bear witness to...
Kadir Nelson’s “Cold Chill”
Kadir Nelson’s painting for the cover of the March 9, 2026, issue was inspired by the frigid temperatures and heavy snowfall that have swept across much of the country...
New York City Ballet Premières for the “No Kings” Era
But there is a problem: Beethoven begins to disappear. In the energy and flow of the dancing, the “Eroica” starts to sound like an accompaniment or a favorite song...
The Sexologist Who Unlocked the Female Orgasm
Hite was not like other sexologists, with their academic affiliations and institutionally approved methods. She was not much like Alfred Kinsey, the primary author of the aforementioned reports and...
The Shocking Season 4 Finale of “Industry”
“Industry,” which was created by Mickey Down and Konrad Kay, began, in part, as an exploration of the difficulties of reforming poisonous systems. The first season exhibits a skepticism...
A Las Vegas Steak House Tries Its Luck in New York
When it comes to Las Vegas restaurants, the cultural exchange tends to flow inward, not out. At every level of dining, from cheap chain to ultra-luxe destination, the city...
The BAFTAs, and the Sloppy Pieties of Liberal Entertainment
The BBC spent resources politically castrating its awards-show broadcast that would have been better spent protecting vulnerable guests. Source link
